Saturday, June 09, 2007

Lighting Fires

Jenny Davis' comment about Lords of the White Castle having inspired her to all things Medieval, led me to wonder about my own inspirations as a writer. I'm often asked at talks where I get my ideas. The answer in my case, is frequently that one thing leads to another.
I was eleven when my Dad suggested that if I was lucky whilst digging on the beach at Hunstanton, I might come across King John's treasure. Of course that treasure, if it was ever lost in the Wellstream in the first place, will either be lying in a field inland miles away, or scattered, having been found and melted down/sold on by its discoverers. However, that didn't stop the notion from inspiring me and roughly 30 years down the line, my speculation about what really happened to John's treasure became my novel The Marsh King's Daughter. While researching a piratical character called Eustace the Monk for this novel, I came across the tale of 13thC outlaw Fulke FitzWarin. Realising this was a great swashbuckling tale about a guy who had actually lived, I knew my next novel would be his story - told in Lords of the White Castle. While researching ' Lords'I came across a genealogy chart which featured Judith, niece to William The Conqueror, who had married a Saxon Earl. Norman Lady marries English thegn...hmmm, I thought. Room for conflict here. Thus The Winter Mantle became my next project. Meanwhile, Lords of theWhite Castle had been shortlisted for an award and had sold very well. I found myself becoming interested in the tale of the hero's father, who apparently as an unknighted squire rescued his future father in law from enemy clutches, armed with no more than an old hauberk, an axe and riding a spavined nag. How could I resist? Shadows and Strongholds was the result And so it goes on. Two novels about William Marshal, The Greatest Knight and The Scarlet Lion have interested me in writing a novel about William's father John - A Place Beyond Courage. Still digesting the Marshal material has led me to the Bigod Earls of Norfolk and the current work in progress - the tale of a royal mistress forced to leave her infant son behind when she marries a man striving to rebuild his family's fortunes in the wake of disgrace and treason.
But when did the first ever spark ignite? For me, I think, it comes down to visuals. From being a very small child, even before I could read and write, I was making up stories to pictures in books - having adventures deeper into the picture and imagining new scenes and scenarios in my mind's eye. I would watch
Stingray, The Lone Ranger and Champion the Wonderhorse on TV and then go and make up new tales around what I'd seen. Gender and species were no object to my imagination, I'd easily become Troy Tempest or Champion, the Lone Ranger or Silver and spend hours on the 'film set' in my mind, making up the script as I went along and testing out new ideas. When I was older, I transferred my stories to swashbuckling movies such as El Cid, The Warlord, The Vikings. I think it had a lot to do with horses. It was much more fun pretending to gallop around than it was to drive, and horses were organic rather than mechanical. Sounds daft I know, but that was how I felt.
Adolescent hormones kicked in about the same time as Keith Michelle starred in the BBC's Six Wives of Henry VIII and at 14, for the first time, instead of talking my stories out, I actually wrote them down. I began a great Tudor novel, got bored about page 15 and gave up for a while. If not who knows. Philippa Gregory might have had a run for her money in that department! (she says with tongue in cheek). A year later along came a programme on children's TV called Desert Crusader, starring "Thibaud" a dark, handsome French knight in flowing robes, striding around the 12thC Kingdom of Jerusalem. That was it! Love at first sight and suddenly I was desperate to write a story about a lookalike. I wouldn't say it was exactly fan fiction, but along similar lines. Certainly the programme was a very powerful inspiration and the flame to ignite the bonfire stack that had been growing since I was 3 years old. I wrote a 500 page novel over the course of a year and realised that this was what I wanted to do for a living. I was 16 when I finished the novel - titled (very badly) 'Tiger's Eye' after the jewels in the hilt of the hero's sword. My Dad suggested I call it 'Crispin's Capers.' At the foot of the post I've enclosed the first 2 paragraphs of that first ever completed novel.

So, how did others become inspired to write? Or turned on to historical fiction? Or to whatever you do that is your passion. What was the spark that lit the bonfire? I'd be interested to know.

The First 2 paragraphs of "Tiger's Eye", written when I was 15 and revised i.e. edited when I first typed it out when I was eighteen.

Syria, Spring 1136

When he awoke from a restless sleep, the darkness of night was gone and with it the cold. In its place was a dingy daylight and a heat that was already making his skin prickle. His thighs and calves were spasming with cramp in this poky little hole and he ached all over. He was weary of all this hiding, of being a fugitive, he who had never hidden from anyone in his life and he was beginning to wonder if the prize was worth the suffering.

The beaded curtain that led from the back room to the shop counter on the street, clacked to one side. He whipped his dagger from its sheath and, breathing shallowly, prepared to strike.

(If my agent or editor happens to read this - it's available for consideration ladies! :-) )

Just joking....















Monday, May 28, 2007

Italian Lions etc

Just dropping by to say that this is the Italian cover for The Greatest Knight. My Italian publishers, however, are going to call it The Scarlet Lion, to match the device on the cover, and they'll find a new title for the UK The Scarlet Lion. A bit confusing for me the author, but a good idea for the Italian publication. I love the translation of the title. Doesn't it just roll off the tongue!

In other news, I've almost finished with the proofs for A Place Beyond Courage and we're almost there with the cover too. I've also been sorting out future projects in my head. Too soon to talk about them at the moment, but the ideas department is bustling away in the background.

Current Research Reading: The Domesday Book: A Complete translation published by Penguin - rather heavy to hold up in the bath it has to be said!

Fiction: Recently finished New Moon by Stephenie Meyer. Superstar author in the making, mark my words!
About to start Brethren by Robyn Young.

Music - Currently being inspired by HIM and Wicked Game. Cor!
http://tinyurl.com/ynfczr

Saturday, May 19, 2007

The proof is out there!

This morning the page proofs arrived for A PLACE BEYOND COURAGE. It's my last chance to add any final tweaks to the novel. After this it'll be cast in stone and any mistakes will be there for posterity. It's been quite a journey writing this novel about John Marshal. I was curious to discover more about the man behind the notorious 'Anvils and hammers' speech that John made when faced with the hanging of his 5 year old son. 'He said that he did not care about the child, since he still had the anvils and hammers to produce even finer ones.' What I've found through my own digging and what he has chosen to reveal to me, have made me realise that despite that apparently callous speech (and sometimes things are not what they seem) without John Marshal's absolute bravery in the face of impossible odds, William himself would not have come to greatness.
I hope to return to more regular blogging soon, but for the moment I beg a moment's indulgence to visit with John.
I open the novel with a few lines from the Histoirede Guillaume le Mareschal and they are, I think, fitting indeed to the personalities of theMarshal men.

Les proz e les vassals
Souvent entre piez de chevals
Kar ja li coard n'i chasront


The brave and the valiant are to be sought
often between the hooves of horses
for never will cowards fall down there.

Sunday, May 06, 2007

The Conroi de Vey

As many of you know, I re-enact with living history society Regia Anglorum - which means Kingdoms of England. The society's brief is to accurately portray the peoples living in the UK between the years of 954 and 1066. However it does go outside these parameters and the membership has expertise stretching from early Anglo Saxon through to the late Norman/early Angevin period.
The society is divided into various local branches who take on a particular ethnicity valid to their area during this period. Being as I live not far from Nottingham, and I have a yen for all things Norman, I belong to the Notts branch of Regia, the Conroi de Vey, who are Norman orientated, but also have a very strong Saxon contingent. Recently, thanks to the efforts of Nathan - big beardy chap in the middle of the photo, De Vey has its own website - still an infant, but coming on well. Here's the url. http://livinghistory.co.uk/homepages/ConroiDeVey/index.html
Generally speaking, a conroi is a Norman warband of around 25 troops. (I read the other day that a constabulary was ten. Something I didn't know!). Due to writing and family commitments I don't always get to the shows that Regia Anglorum puts on round the country, but I will be slaving over a hot cauldron at the Tollerton village show next month in good company with the rest of de Vey. Among our ranks we have a skilled weapons smith, a woodturner, a leather worker and a textile expert. I dabble on the cookery side. I may not be able to spin wool worth a bean, but I do manage a mean beef and cumin stew!

Wednesday, April 18, 2007

Caveat Canem!

Having completed the rewrites of Shields of Pride, I am now playing catch up with my newer contracted word i.e. the Bigod/Marshal novel. However, I thought I'd drop by my blog to have a quick word about research and the little sparks of interest that so often flicker out of the blue.
I have, I confess, a collector's memory that also happens to be extremely untidy. I pick up all sorts of facts along the way and retain them, but after a while, as they gather an interesting layer of mental dust, I can never remember where I found them in the first place. Probably a good job I'm not a professional academic!
Anyway, to cut to the chase....or perhaps the correct analogy would be 'to show the dog the rabbit,' my re-enactment society has been discussing what kind of dogs were around circa 1066. Obviously, despite some rather far-fetched claims on various websites, official breeds were thin on the ground. The greyhound (leporario) was well known, was a high status dog and hasn't changed that much, but what about the others?

The Constituo Domus Regis of 1136 (Oxford Medieval texts) discusses the wages and employment of the King's household hunting staff. Dogs mentioned are the above greyhound, the lime-hound (liemarii) which apparently was held on a leash and only used for finishing off the prey, and the Brach (braconarii), a small hound that hunted by scent. There's no indication of what the latter two looked like.
The Bayeux Tapestry has some interesting mutts - greyhound and spaniel types I'd say. Sharon Kay Penman favours Elkhounds in her novel When Christ and his Saints Slept - also known as Dyrehunds and native to Scandinavia. First introduced into Britain on a formal basis in 1870 but apparently an ancient breed in their homeland. A fascinating snippet emerged during the list's canine ruminations. A complete dog skeleton dating to the 11th Century was found and the dog type, although not its coat shading and texture could be deduced from its bones. The article and abstract are as follows:
An Anglo-Saxon dog from Salter Street, Stafford
Kate M. Clark
Centre for Human Ecology and Environment, Department of Archaeology, University of Southampton, Highfield, Southampton SO17 1BJ, UK
Abstract
A dog skeleton from a well-dated eleventh century context was recovered from a kiln in Stafford. The animal exhibits particular morphological characteristics, identified metrically, and their similarity to modern comparative animals is discussed. The disposition of the animal in the structure is also described and the possible circumstances of the burial considered. © 1998 John Wiley & Sons, Ltd.

It was very interesting to note from reading the article that this particular Anglo Saxon dog resembled in all ways an English bull terrier, except that it was actually the size of an Alsation - scary! Here's the url to the Wikipedia article and a photo of a modern day bull terrier.
http://en.wikipedia.org/wiki/Bull_Terrier
Apparently the skull shape was nigh on identical. So anyway, I now know what at least one 11thC dog would have looked like (more or less!). Not sure if I'd want to own one though.
There's also this 9th Century relation to the corgi. http://news.bbc.co.uk/1/hi/wales/3646319.stm
My own favourite Medieval pooch? Has to be the miller's dog from the Luttrell Psalter (illustration at the top of the post) You know he's a vicious ankle biter, but somehow I can just imagine him snickering like Dick Dastardly's Muttley as he goes for it!
The thread on the Regia list has now sensitized me to the Medieval dog and I find that every illustration or painting from that period that I see, I now have to scrutinize it for canine occupancy...

Friday, April 06, 2007

I haven't dropped off the face of the earth!

A brief note to say that I am still frantically busy with my workload. Having delivered back the first lot of edits for A Place Beyond Courage, I am now editing Shields of Pride ready for its December Re-issue. (old issue UK cover on the left, new one to come) It's interesting visiting a novel so long after publication - around 11 years. Boy have I moved on as a writer. The main thing I appear to be doing is cutting adjectives - so I guess I've learned that less is more and I don't need as many words these days to convey what I mean. It's proving a fascinating experience. It does mean though that I am having to put in more hours on the day job in order to keep all the balls in the air. So the blog is just running at maintenance level at the moment. I have a couple of small things to post over the next couple of weeks - new foreign covers, dates of talks, that sort of thing, and I'll try to drop by when I can squeeze a moment.
I was in London yesterday. I had lunch with my editor - glamorous you might think, but actually it was a cheese sandwich in her office where we discussed the cover for A Place Beyond Courage and sales figures for other novels. I also managed to scrounge a copy of Stephenie Meyer's New Moon off the Little Brown bookshelf. I loved the first one in the series, Twilight, and I'm hoping to enjoy New Moon just as much. However The main purpose of being in London was to have a new author photo taken for my novels. Here's the url to his website www.charliehopkinson.com
As long as I don't end up looking like Spike Milligan, I'll be very happy!

While I'm here, I should also add that my literary agency, Blake Friedmann has just gone live with its website. Url here: www.blakefriedmann.co.uk

Tuesday, March 20, 2007

Work in Progress

The first lot of copy edits are back for A Place Beyond Courage, my novel about John Marshal. This means it's my last chance to read through and make any larger adjustments. I'll only be able to tweak the odd word at final proof stage. I'm also writing the new material about Roger Bigod, and at some point soom I'm going to have my earlier novel, Shields of Pride, arriving for revision. Which is the long way round of saying I am squeezed for time more than usual at the moment. So, not having much space for blogging, I am cheating and putting up part of chapter one from the current work in progress. Working title for myself is Ida's Choice, although Ida herself, Roger Bigod's wife, doesn't appear until chapter 3. I'll probably take this down in a couple of weeks, but for now, here's my rough draft, warts and all of the opening pages. It's always fun and a bit nerve-wracking too, setting down those early foundations and wondering what will grow in the telling!

Framlingham Castle, Suffolk, October, 1173

Roger woke with a gasp and shot upright. His heart was pounding and although the morning light showed him parted bed curtains and a sun-splashed chamber beyond, his inner vision blazed with vivid images of men locked in combat and he could still hear the sounds of desperate battle. The metallic whine of blade upon blade, the dull thud of a club striking a shield. He could feel the bite of his sword entering flesh and see blood, streaming in scarlet silk ribbons.

‘Ah God,’ he said with a shudder. After a moment to gather himself, he threw off the bed clothes with his left hand, rose and went to the window. His right hand was bandaged. Although superficial, the wound was going to leave a scar across the base of three fingers. The soldier who had given it to him was dead, but he took no pleasure in the knowledge. It had been kill or be killed. Too many of his own men had gone to their graves yesterday. His father said he was useless, but such declarations had been cast at Roger so often that he no longer felt them beyond a dull bruise. What did bother him were the unnecessary deaths of several good soldiers. The opposition had been too great and he had not had the resources sufficient to the task. He clenched his right fist, feeling the cut stretch and sting beneath the bandage. There would be a lake of blood before his father’s ambition was done.

To judge from the strength of the daylight he had probably missed mass. His stepmother would take pleasure in berating him for malingering in bed and then comment to his father that his heir wasn’t fit to inherit a dungheap, never mind the Earldom of Norfolk when the time came. And then, Roger knew from bitter experience, she would look pointedly at her own son, the obnoxious Hugh, as if he was the answer to everyone’s prayers rather than the petulant, unprepossessing brat he actually was.

Framlingham’s bailey was packed with the tents and shelters of the army of mercenaries belonging to Robert Beaumont, Earl of Leicester - assorted chaff and sweepings plucked from field and town, ditch, gutter, weaving shed and dockside on his way from Flanders to England. Not many of them were attending mass either to judge from the numbers in the bailey. Locusts, Roger thought with a grimace of revulsion. By joining the rebellion against King Henry and giving lodging and support to the Earl of Leicester, his father had encouraged a plague to descend on them, in more ways than one.

Turning from the window Roger attended to the needs of his bladder, sluiced his face one-handed in the ewer at the bedside, and without bothering to summon a servant, managed to dress himself, since the tips of his fingers and his thumb were still free on his bandaged hand. When he opened the coffer that held his cloaks, he noticed immediately that his best one with the silver embroidery was missing, and his lips tightened because he could guess where it was. Taking his indoor mantle of green wool, he started to put it on, then stared at the weapon chest standing against the wall. Last night his scabbarded sword and belt had been propped against it, now they were gone. Roger’s lips compressed further as annoyance became outright anger. His sword was a symbol of his knighthood, of his coming of age, and not even his father could deny him that – especially when the weapon itself had been a gift from his uncle, who was Earl of Oxford.

Head down, fists clenched, wound smarting, Roger strode purposefully towards the castle chapel adjoining the hall. The mass had just finished and people were filing out to go about their duties. Concealing himself behind a painted pillar, Roger heard his father holding forth to Robert Earl of Leicester about the battle campaign to overthrow King Henry and put Henry’s eighteen year old son on the throne – a vain, malleable boy. Since coming to the throne, King Henry had clamped down hard on the Earl of Norfolk, doing his best to limit his ability to aggrandise himself and make trouble. Now that Henry faced a challenge from his heir and namesake, Roger’s father had declared for the young man as had several other disgruntled factions including the earl of Leicester.

Roger’s stepmother Gundreda, and Petronilla, Countess of Leicester walked past, side by side, nodding graciously to each other and smiling with their lips but not their eyes. And then Roger’s gaze lit on a fine blue cloak and a flash of silver braid, as its wearer swaggered out of the chapel, one narrow adolescent hand clasped upon the pommel of a fine sword bound with a grip of red buckskin.

Roger reached, seized in a tensile grip and swung his half-brother around, slamming him back against the pillar. ‘Have you nothing of your own that you must resort to thievery of everything that is mine?’ he snarled. ‘Time and again I have told you to stay out of my chamber and leave my things alone.’ He took a choke hold on the young man’s throat with his good hand, and with the other unhitched the sword belt with a rapid jerk of latch and buckle. ‘What will it take before you pay heed?’

The youth’s upper lip curled with contempt, although his eyes were fearful. Roger noted both emotions and increased the pressure. ‘I suppose you wanted to parade before my lord of Leicester, and show off a sword you’re too young to wear.’

‘I couldn’t wear it any worse than you!’ Hugh wheezed with bravado. ‘You’re a failure. Our father says so.’

Roger released his grip, but only to hook his foot behind Hugh’s ankles and bring him down. Straddling him, he dragged off the purloined cloak. ‘If there’s a next time, you’ll wear this on your bier,’ he panted, ‘and my sword will be through your heart!’

‘Hugh, where are y…’ Gundreda countess of Norfolk who had turned back to find her lagging son, stared at the scene before her eyes in growing consternation and fury. ‘What do you think you’re doing! Get off him, leave him alone!’ she struck Roger a forceful blow on the arm.

Hugh clutched his throat, choking and retching. ‘He tried to kill me…and in God’s own house…’

Roger surged to his feet. ‘There is no ‘try’ about it,’ he said icily. ‘If I intended to kill you, I would have done so.’ With a burning glare for Gundreda, he strode from the chapel, cloak over his arm, scabbard in hand. Her invective followed him but he paid no heed to it for he had become inured to that particular bludgeon.

‘I didn’t have enough men,’ Roger said to his father. His sword hung at his hip now, the weight both a burden and a support. A man shouldn’t have to wear a weapon to bolster his confidence; he should be at ease within his own skin, but he was always raw in the presence of his father. The latter had called a council of war in his chamber and the Earl of Leicester and all the senior knights were present.

Hugh Bigod, Earl of Norfolk, glowered at his eldest son. ‘There is always an excuse, isn’t there? I could give you an entire army and it still wouldn’t be enough. I daren’t put weight on you because you’re not strong enough to bear it.’

Roger clenched his fist and made a throwing gesture. ‘You don’t give me the tools to do what you ask of me. You don’t trust me, you don’t give me credit for what’s due, you don’t….’

‘Credit!’ Norfolk barked. ‘I’ll give you credit boy. For losing two fine men and letting good ransom money slip through your inept fingers.’ You’ve probably cost us at least a hundred marks which is more than your hide’s worth. How much more credit do you want?’

Roger swallowed, feeling sick to the stomach. He sometimes thought that his own death would be the only coin to satisfy his father. Whatever he did, it would never be right. Yesterday they had burned the castle of Haughley to the ground – taken pledges of ransom from the knights and turned over the captured garrison to Leicester’s Flemings. Roger had been sent round to the postern, but his father had not given him sufficient men for the task and some of the defenders had managed to break free, killing two of his knights in the process.

Robert of Leicester had been watching the exchange between father and son with sharp speculation. ‘The young men of today aren’t as hard a breed as we had to be, Hugh,’ he said. ‘Let it rest. At least he didn’t run. I am sure we can still find a position for him that will be useful to us.’

‘Aye, following the dung cart,’ Hugh sneered. He pointed to a bench. ‘Hold your tongue, boy, sit and listen and see if you can keep more than fleece between your ears.’

At five and twenty, Roger had left boyhood behind long ago - on a warm summer afternoon as a stunned, bewildered child, watching from a window as his mother departed her annulled marriage to his father for a new match. Within the week Gundreda had replaced her at Framlingham. His father had never once called him ‘boy’ in affection; it was always an insult or a put-down. As a child he hadn’t understood, but adulthood had brought knowledge. It was about power; keeping the young stag down, and it was about punishment. His mother had escaped, but he hadn’t; he was her proxy. Everyone said he was like her – not in looks, but in her way of seeing the world, and in his father’s lexicon, such a trait was unforgivable.

Stepping over the bench, Roger sat down and folded his arms. Leicester said, ‘Haughley is razed and no longer an obstacle, but the keep at Walton still stands and so does Eye.’

Hugh grunted. ‘Eye’s damaged and the garrison won’t venture beyond it. The same for Walton. We should secure Leicester while Henry is fighting his son in Normandy and the justiciar is occupied in the north chasing the Scots. Once Leicester’s yours, we can strike up north-west and join Chester.’

Roger bit his cheek at the not so subtle hint in his father’s words that Leicester should shift his army to his own territory. When Leicester had landed his army of Flemings, his father had rushed to join him, filled with belligerent anticipation that this was going to be like old times when he had profiteered hand over fist from playing one side against the other. But it hadn’t turned out like that. Leicester’s Flemings were denuding Norfolk’s supplies at a terrifying rate and had already started to strip the hinterland with their foraging parties.

Leicester studied his hands. ‘Quite so,’ he said, and a hard smile curved his lips. ‘I wouldn’t want to outstay my welcome, but I’ll need provisions.’

Roger saw his father’s eyes narrow. ‘I don’t have any more to give,’ he said. ‘My barns are nigh on empty. I’ll have to buy in more for the winter at God knows what price.’

‘Then let our enemies provide it. The abbey at Edmundsbury is well stocked, so I hear and the abbot is no friend.’

Hugh rubbed his jaw, considering. His gaze slid to Roger. ‘Pig sticking,’ he said with a humourless baring of teeth. ‘Let’s see if you can at least manage that.’

Roger returned his father’s stare. ‘You want me to run off pigs and burn villages?’

‘For a start,’ Hugh said. ‘If you prove capable, I might think about promoting you, but foraging is all you are worth at the moment. You have my leave to go.’

Roger rose to his feet, his belly churning with anger. How easy it would be to draw his sword and use it. To rage like a wild bull. Easy and pointless. ‘Edmundsbury,’ he repeated.

His father lounged on one hip. ‘Not superstitious about the Church are you?’

Given that the last king’s son and heir had died after raiding the lands of the Abbey at Edmundsbury, Roger could have answered that he was, but he knew his father was awaiting just such a response. ‘No, sire,’ he said, ‘but we owe the abbot three knights’ fees and I have always honoured the Church.’

‘And do you not honour your father also?’ Hugh demanded, clenching his thick fists, causing the seal ring of Norfolk to gleam on his knuckles. ‘I will have your obedience – boy.’

Roger compressed his lips and strode from the room, his control as brittle as thin ice. It was too much, he thought as he reached the safety of his chamber, and sitting on his clothing coffer, put his head in his hands. He wasn’t just at the edge of a precipice, he was over it and scrabbling at the edge by his fingertips. And above stood was his father, preparing to stamp on them and send him into the void. After a while he rose to wipe his face and rinse his mouth. Then, drawing his sword, he looked at the. There were nicks in it that needed honing out, and the edge required sharpening. Down the fuller, the faint, gold gleam of latten, picked out the letters INOMINEDNI. In The Name of God…

‘Sire, there is news.’ Anketil, one of the serjeants, stopped in the doorway. He and Roger had grown up together and although not of knightly birth, being the son of a forester, Roger counted Anketil a friend and ally. The latter’s Nordic-blue eyes fixed on the sword in Roger’s hand.

Good or bad?’ Roger asked, returning the weapon to its scabbard.

‘That depends,’ Anketil said. ‘Richard de Luci has made a truce with the Scots. He’ll be turning south towards us now. Messenger’s just gone in to your father and the Earl of Leicester.’

Roger nodded. He didn’t suppose it would change his own orders except to make them more urgent. Leicester would have to make a move sooner rather than later if he was going to secure his castle.

Anketil gestured towards the scabbard. ‘Saw your brother wearing it this morning in chapel,’ he said.

‘He won’t have the opportunity again.’ Suddenly Roger’s mind was clear and the decision so easy it was like throwing away a piece of used, scratched parchment and drawing forward a fresh, clean sheet, unmarked even by the pricking tool. ‘Get the men together,’ he said. ‘Tell them to sharpen their swords and polish up their equipment. Make sure the horses are well shod and that everyone has arms and provisions sufficient to his needs.’ As he spoke, he felt as if something that had been crushed and packed down into a tight corner was expanding, rising, filling with light and air.

The serjeant eyed him keenly. ‘Where are we going?’ he asked.

‘The Abbey at Edmundsbury,’ Roger said with a gleam in his eyes.